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B.P.M. (1991-1994)

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Reseña de álbum

B.P.M. (for "Bridget, Phil and Mark," or — if you prefer — "beats per minute") closed out Unrest's career in typically scattershot style, serving up a crazy quilt of classic singles, quirky remixes and unreleased sides. As the subtitle indicates, these 15 tracks cover only the Bridget Cross-era incarnation of the trio, a lineup that yielded the seminal Imperial f.f.r.r. and Perfect Teeth albums as well as a series of superb seven-inches; while the inclusion of hard-to-find tracks like the Miaow cover "When It All Comes Down" and "Bavarian Mods" makes the set essential for fans, it's a shame B.P.M. wasn't conceived as a more straightforward singles collection instead — remixes of favorites like "Cath Carroll" and "Imperial" are tedious, while the inclusion of two nearly identical versions of "Winona Ryder" (neither particularly worthwhile) is plain baffling.

Biografía

Se formó en: 1981 en Washington DC

Género: Alternativa

Años de actividad: '80s, '90s

The flagship act of frontman Mark Robinson's own TeenBeat label, Unrest was a towering pillar of the American indie rock community throughout the early '90s — from the tongue-in-cheek garage noise of their earliest efforts to the shimmering, manic pop thrills of their later, most enduring work, the band was a paragon of DIY virtue, perfecting a genre-hopping eclecticism and knowing, ironic lyrical outlook that virtually defined the sound and feel of college rock in the pre-grunge era. Robinson,...
Biografía completa
B.P.M. (1991-1994), Unrest
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