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Trombonist George Masso and clarinetist Ken Peplowski worked together frequently prior to this 1994 concert in Hamburg, backed by pianist Brian Dee, bassist Len Skeat, and drummer Jake Hanna. Although the leader is a strong soloist, Peplowski's impassioned solos are the ones that stick with the listener in this predominately swing-oriented program. "You'd Be So Nice to Come Home To" is pure magic, while Peplowski's matchless playing carries the day in "It All Depends on You." There are a couple of twists. "Blue Monk" has an almost sauntering Dixieland flavor to it, and "If I Were a Bell" is a delightful feature for the rhythm section, with some adventurous playing by Dee. One caveat: Nagel-Heyer originally issued this CD in 1995 under the title Trombone Artistry, so don't be fooled into thinking this is a different release.


Nacido(a): 23 de mayo de 1959 en Cleveland, OH

Género: Jazz

Años de actividad: '90s

One of the top clarinetists of the 1990s and a very talented tenor player, Ken Peplowski has helped keep the tradition of small-group swing (and occasionally Dixieland) alive. He made his professional debut at ten and played locally in Cleveland. After spending 1978-1980 touring with the Tommy Dorsey ghost orchestra (directed by Buddy Morrow), Peplowski settled in New York, freelanced in a variety of settings, and played with Benny Goodman. By 1987, he was a Concord artist and has since...
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Just Friends, Ken Peplowski
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