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James Tenney: Selected Works 1961-1969

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Some of the earliest and most imaginative electronic and computer-generated music. Tenney was one of the first composers to use Max Mathew's computer music synthesis system at Bell Labs, and this CD includes some works created there: "Ergodos II (For John Cage)" and "Analog #1: Noise Study." Also included are his humorous study of Elvis Presley's voice in "Collage #1 (Blue Suede)"; the terrifying "Fabric for Che"; and the illusionary "For Ann (Rising)," an audio version of the persistence-of-motion visual illusion (e.g., when a stopped train still seems to be moving to a passenger), in which tones rise but get nowhere — until the final ascension. Also included is a Nancarrow-like player piano piece but with stochastically generated notes. ~ "Blue" Gene Tyranny, Rovi


Nacido(a): 10 de agosto de 1934 en Silver City, NM

Género: Clásica

Años de actividad: '50s, '60s, '70s, '80s, '90s

Studied piano with Eduard Steuermann. Composition with Chou Wen-chung, Lionel Nowak, Paul Boepple, Henry Brant, Carl Ruggles, Kenneth Gaburo, Lejaren Hiller, Edgard Varése. Associate Member of the Technical Staff at Bell Telephone Labs from 1961-64. Developed computer systems at Yale and Polytechnic Institute of Brooklyn. Co-founder Tone Roads Chamber Ensemble (1963-70), and performer with many ensembles including those of Steve Reich, Philip Glass, Harry Partch, John Cage, Fluxus. Lecturer at New...
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James Tenney: Selected Works 1961-1969, James Tenney
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