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Singer Chris Connor was nearing the end of her Atlantic years (which were really her prime) when she recorded this interesting, if not quite classic set with the Maynard Ferguson Orchestra, last reissued on a 1984 LP. With the exception of trumpeter Ferguson, there are few significant solos, and the big band mostly acts as an ensemble. Both Connor and MF were Kenton alumni, and there are moments where the orchestra reminds one of that band, but the focus is mostly on the singer. She is in particularly fine form on "I Only Have Eyes for You," "It Never Entered My Mind," "Spring Can Really Hang You Up the Most" and "The Lonesome Road," although one wishes there was more interplay with the orchestra.


Nacido(a): 08 de noviembre de 1927 en Kansas City, MO

Género: Jazz

Años de actividad: '50s, '60s, '70s, '80s, '90s, '00s

Along with June Christy, Helen O'Connell, and Julie London, Chris Connor epitomized cool jazz singing in the 1950s. Influenced by Anita O'Day, the torchy, smoky singer wasn't one for aggression. Like Chet Baker on the trumpet or Paul Desmond and Lee Konitz on alto sax, she used subtlety and restraint to their maximum advantage. At the University of Missouri, Connor (who had studied clarinet at an early age) sang with a Stan Kentonish big band led by trombonist Bob Brookmeyer before leaving her native...
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Double Exposure, Chris Connor
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