Iniciando iTunes Store.Si iTunes no se inicia, haz clic en el icono de la aplicación iTunes en el Dock de Mac o en el escritorio de Windows.Progress Indicator
Abriendo el iBooks Store.Si iBooks no se abre, haz clic en la app iBooks del Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

No encontramos iTunes en este ordenador. Para usar vista previa y comprar música de You Make Me Feel So Young: Live At Feinstein's de Barbara Cook, descarga iTunes ya.

¿Ya tienes iTunes? Haz clic en Ya tengo iTunes, para que sea activado.

I Have iTunes Descarga gratis
iTunes para Mac y PC

You Make Me Feel So Young: Live At Feinstein's

Abre iTunes para escuchar un fragmento, comprar y descargar música.

Reseña de álbum

Barbara Cook confesses at the outset of this live recording, made in June 2011 at Feinstein's at the Regency in New York, that she has run out of ideas for themes for her nightclub sets and this time has just picked a batch of good songs she's never sung before. This isn't quite true, but it is understandable that Cook wouldn't want to state the show's theme specifically since, as the title You Make Me Feel So Young suggests, that theme concerns aging, and the perpetually young singer is 83. But why should she acknowledge that if she doesn't feel it or, especially, sound like it? Cook's voice is remarkably intact on these songs, whether she is intoning the long lines of a sad ballad like "I'm a Fool to Want You" or bouncing along to the lively rhythms of the opener, "Are You Havin' Any Fun?" But that song states the evening's throughline when the singer reminds her listeners, "You aren't gonna live forever." Other songs, such as Alan Jay Lerner and Burton Lane's "Wait ‘Til You're Sixty-Five" and "Here's to Life" also explore the matter of seniority, and even when the point is not made in so many words, it often is by implication, as in "What Did I Have That I Don't Have?," another Lerner/Lane composition. Cook makes a point of dedicating Stephen Sondheim's "Live Alone and Like It" to her divorced listeners, including herself in the category. It's true that not every song is about the concerns of getting and being old, but those that aren't tend to be change-of-pace palate clearers like Nat King Cole's "The Frim Fram Sauce," for which Cook breaks out a kazoo and does a solo. Even before then, her backup band has given much of the music a 1920s hot jazz feel, especially in the woodwind work of Steve Kenyon. Musical director Lee Musiker, meanwhile, has his own fast solo in "This Can't Be Love." The entire band gets a workout on a closing version of "I Got Rhythm" that might be called "The ‘I Got Rhythm' Variations." As a coda, Cook reasonably looks to a hopeful future with a songwriter outside her usual realm, turning in a precise and unadorned version of John Lennon's "Imagine" over Musiker's piano. It shows that, at whatever age one may be, idealism is still possible.


Nacido(a): 25 de octubre de 1927 en Atlanta, GA

Género: Bandas sonoras

Años de actividad: '50s, '60s, '70s, '80s, '90s, '00s

A singer with a warm, light soprano, Barbara Cook became a successful Broadway musical performer in the 1950s and '60s. In the '70s, she moved largely into cabaret singing, at which she was equally successful. Born Barbara Nell in Atlanta, GA, on October 25, 1927, she took an early interest in singing and appeared in kiddie shows as a child. At 14, she won the ten-dollar prize at an amateur-night contest at the Roxy Theatre in Atlanta, singing "My Devotion." In February 1948, accompanied by her mother,...
Biografía completa

Otros usuarios también compraron

You Make Me Feel So Young: Live At Feinstein's, Barbara Cook
Ver en iTunes

Valoraciones de clientes

No hemos recibido suficientes valoraciones para poder mostrar un promedio de este artículo.