Iniciando iTunes Store.Si iTunes no se inicia, haz clic en el icono de la aplicación iTunes en el Dock de Mac o en el escritorio de Windows.Progress Indicator
Abriendo el iBooks Store.Si iBooks no se abre, haz clic en la app iBooks del Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

No encontramos iTunes en este ordenador. Para usar vista previa y comprar música de [?], descarga iTunes ya.

¿Ya tienes iTunes? Haz clic en Ya tengo iTunes, para que sea activado.

I Have iTunes Descarga gratis
iTunes para Mac y PC

The Matches

Ver en iTunes

Para escuchar en vista previa una canción, pasa el ratón sobre el título y haz clic en reproducir. Abre iTunes para comprar y descargar música.


The exuberant Oakland pop-punk outfit the Matches initially formed as the Locals in 1997 when vocalist/guitarist Shawn Harris, drummer Matt Whalen, and bassist Justin San Souci were still in the early days of high school together. Frustrated with the lack of under-21 venues in the Bay Area at the time, the guys took matters into their own hands, seizing a local warehouse that had been converted into a webcasting soundstage and launching a series of shows called L3: Live, Loud and Local. The band, which now also included guitarist Jon Devoto, initiated what they called "Commo Promo" tactics to promote the shows; they accosted people everywhere — leaving concerts, malls, schools, dorms, restaurants, etc. — with brief, hit-and-run, acoustic sets in the days prior to each L3 gig. Word spread quickly about the Locals and shows started selling out (about 450 kids) without any formal advertising, but soon enough, the quartet was forced to change their name after being contacted by the Chicago band of the same name (headed by Yvonne Doll).

With their newly minted moniker in place, the Matches scrapped enough money together to put out their first record. Recorded in basements and living rooms and released in February 2003, the tongue-in-cheek-titled E. Von Dahl Killed the Locals added more fuel to the fire growing around the band up and down the West Coast. Coupled with their invigorating live show, the guys landed dates with bands like Reel Big Fish, Lit, and Zebrahead, and also contributed a track to the 2003 Immortal Records holiday benefit compilation A Santa Cause alongside bands like MxPx, New Found Glory, and Fall Out Boy. The Matches had hooked up with Epitaph by the year's end and a remixed version of E. Von Dahl (which had already sold upward of 4,000 copies) was issued through the label in April 2004. Relentless touring continued, including stints on the 2004 and 2005 Warped Tours, and the group appeared on a three-way Takeover split with Near Miss and Reeve Oliver. All this activity led up to the eventual release of their sophomore album. The more ambitious Decomposer appeared in September 2006 and was recorded with nine producers having a hand in the project, including Bad Religion's Brett Gurewitz, Rancid's Tim Armstrong, blink-182's Mark Hoppus, Goldfinger's John Feldmann and 311's Nick Hexum. After more extensive touring, in 2008, the band returned with a more heavily layered (and more uneven) record, A Band in Hope, described by Harris as "a pendulum's sway between hope and despair."

Top canciones