LensWork - Photography and the Creative Process Brooks Jensen
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- Arts
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Random Observations on Art, Photography, and the Creative Process. These short 2-4 minute talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 35 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work and building an audience. Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. His latest books are "The Creative Life in Photography" (2013) and "Looking at Images (2014).
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HT1871 - The Competition for Eyeballs
All media include an element of narcissism. With every photograph we make, we are essentially competing for attention. Each photograph screams, "Look at me!" This intense competition for eyeballs leads to a secondary phenomenon I think of as "the advertising promise." "Come look at me and you will be rewarded with this goody." The competition for eyeballs is so fierce that we now are overwhelmed with advertising promises way out of proportion to actual content.
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HT1870 - Stages of Creative Thought
I've talked before about the solutions to problems that pop up from seemingly nowhere. I've recently been reading The Origin of Consciousness in the Breakdown of the Bicameral Mind by Julian Jaynes. I found there a fascination quote that discusses this process. Glad to know I'm not alone in observing how creative ideas so often appear unexpectedly.
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HT1869 - Artwork Left Behind
I remember years ago hearing of a photographer who would leave small prints wherever he happened to find himself. He would leave his artwork on a bus bench, a restaurant table, a seat in the library, literally anywhere the spirit so moved him. I was so fascinated with this idea that I followed this plan the last time I was in Japan.
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HT1868 - The Absolutely Necessary
The ideal kit includes everything I might need. The opposite of how much gear can I take is how little gear can I get by with. Perhaps it's a function of my aging knees and back, but I find myself brainstorming about the least amount of gear I can take with me and still be productive. Obviously I need a camera and lens, a battery and a memory card, but what else is absolutely necessary in order for me to be successful with the kind of photography I do?
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LW1397 - Looking for Photographs
When you want to make a photograph, what do you do? Probably you set out into the world somewhere and start looking for things you might photograph. You are on the hunt for potential. What if you were to point yourself to your Lightroom catalog rather than the world out there? I would propose that searching the world and searching in your exigent collection are pretty much the same thing.
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HT1867 - Feedback and the Pressure to Conform
Yesterday I was talking about feedback and the way the digital workflow makes getting feedback about our work so much easier. Not unexpectedly, there is a downside to such easy feedback; the pressure to conform.