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Hello Friends!

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Album Review

Not quite a solo album from the Meat Beat Manifesto mainman, Hello Friends! is actually a mix set, with Dangers spinning through tracks from the Tino's Breaks series released by him with producer/video director Ben Stokes on their own Tino Corp. label. Hidden behind the alias of a reportedly reclusive Cuban percussionist named Tino, Dangers or Stokes (but usually not both) construct break records that range from excellent to solid. Give credit to both of them (and Mike Powell, who produced a few of these); the beats are strong and chunky as on the best Meat Beat Manifesto records, and though there's not much for them to drive other than a few vocal samples or excerpts from films (after all, that's basically what break records are), Dangers keeps the mix nice and friendly. The vocal samples each depend on the volume in the Tino's Breaks series (Mambo, Dub, Christmas) they came from, and the Cuban mystique gets translated into a lot of retread mambo references.


Born: 1967 in Swindon, England

Genre: Electronic

Years Active: '80s, '90s, '00s, '10s

Jack Dangers has become a source of inspiration -- recognized and unrecognized -- for many throughout the spectrum of electronica; just as Dangers himself was inspired as a young teenager by the cut up experimental electronics of Cabaret Voltaire and the techno-pop of Kraftwerk, there's little doubt that Dangers' output as the braintrust of Meat Beat Manifesto helped inspire the drum'n'bass, big beat, and trip-hop movements of the '90s, along with playing significant roles in industrial, acid house,...
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Hello Friends!, Jack Dangers
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