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Ingleside Terrace

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Album Review

To call the second full-length from French Toast a departure would be an understatement. To say the least. From the first few bars of the opening track, "The Letter," this almost feels like a totally different band. While the addition of Ben Gilligan probably has a lot to do with the development, the elements that made their debut a solid ride are still in the fore, suggesting a band that — regardless of member additions — is progressing rather than resting. While the debut In a Cave was a stark, early-'80s-mood-meets-21st-century-approach affair, Ingleside Terrace feels like a jump through time. Elements of Pavement's brand of melody, late-'80s American underground rock, and more recent electronic styling all mixed together result in a playful, driving rock & roll record that manages to add fuel to the argument that nothing beats a power trio. While In a Cave sidled up to the more chill and distant aspects of new wave and post-punk, Ingleside Terrace — in both its production sensibility and songwriting — takes that and adds a bit of swagger, a bit of soul. If In a Cave (perhaps purposely) felt like a small room, Ingleside Terrace feels like moving landscapes and wide horizons. An impressive follow-up to an impressive debut. ~ Christopher M. True, Rovi


Formed: 2001 in Washington DC

Genre: Alternative

Years Active: '00s

French Toast formed in 2001 around James Canty and Jerry Busher, a duo whose separate careers are rooted in the highly regarded Washington, D.C., punk scene. Canty had been a member of the Nation of Ulysses, Cupid Car Club, and the Make-Up, while Busher had logged time with bands like Fidelity Jones and las Mordidas, in addition to playing with Fugazi and Ted Leo. Busher was also a part of the D.C. post-punk all-star group the All Scars, featuring members of Fugazi, Beefeater, and more, and when...
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Ingleside Terrace, French Toast
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