iTunes

A abrir a iTunes Store.Se o iTunes não abrir, clique no ícone da aplicação iTunes na Dock ou no ambiente de trabalho do Windows.Indicador de progresso
A abrir a iBooks Store.Se o iBooks não abrir, clique na app iBooks na Dock.Indicador de progresso
iTunes

O iTunes é a forma mais fácil no mundo de organizar e aumentar a sua colecção de suportes digitais.

Não conseguimos localizar o iTunes no computador. Para ouvir um excerto e comprar música de Bananarama de Bananarama, descarregue o iTunes agora.

Já tem o iTunes? Clique em Tenho o iTunes, para abri-lo agora.

Tenho o iTunes Descarga gratuita
iTunes para Mac + PC

Bananarama

Abra o iTunes para ouvir um excerto, comprar e descarregar música.

Crítica do álbum

For their second album, Bananarama underwent a telling change in persona, from the flyaway-haired, overall-clad everygirls of Deep Sea Skiving into a sleeker and glammier look. Similarly, the album has a much more polished feel than the occasionally scattershot debut, which is not always a good thing; sticking with Tony Swain and Steve Jolley to produce the whole thing (the duo had shared production duties with three others on the debut), Bananarama traded their early tropical-tinged playfulness and ironic overtones for a more commercial sound that scored well on the charts (the terrific opener "Cruel Summer" was a worldwide hit, and several other tracks were U.K. hits) but was less unique than before. What's most unusual about Bananarama is the content of the songs. Lyrically, the album is surprisingly serious, with topics ranging from sectarian violence in Ireland ("Rough Justice") to domestic violence ("King of the Jungle") to drug use ("Hot Line to Heaven"), none of which are in keeping with the trio's frothy image. Indeed, under the singalong chorus, the album's best track, "Robert de Niro's Waiting," turns out to be the traumatized musings of a teenage rape victim, set to an improbably dreamy, carefree melody. Even comparatively light songs like "State I'm In" and "Dream Baby" have an oddly paranoid tone to them. Of course, the detour into mature themes didn't last long, as the group's next album introduced the chart-bound frivolity of Stock-Aitken-Waterman into the picture, but Bananarama in an intriguing and often excellent side trip. Important discographical curiosity: original U.S. copies of Bananarama included an extended seven-minute take of "Hot Line to Heaven." After the fall 1984 release of the single "The Wild Life" (the theme to Cameron Crowe's second movie), U.S. copies of Bananarama were altered to include the new single at the start of side two, followed by the superior single edit of "Hot Line to Heaven."

Biografia

Formado: 1981 em London, England

Género: Pop

Anos em actividade: '80s, '90s, '00s, '10s

The most successful British girl group in pop history, Bananarama formed in London in late 1981. Drawing equal inspiration for their name from the children's television program The Banana Splits and the Roxy Music song "Pyjamarama," the trio was comprised of lifelong friends Keren Woodward and Sarah Dallin along with Siobhan Fahey, whom Dallin befriended at the London College of Fashion. After getting their start singing at friends' parties and at nightclubs (where they performed accompanied by backing...
Biografia completa
Bananarama, Bananarama
Ver no iTunes

Classificações do cliente

Não recebemos classificações suficientes para apresentar uma média para este(a) álbum.

Influências

Influenciados por este intérprete

Contemporâneos