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Take It Home

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Crítica do álbum

This 1979 effort finds B.B. interpreting a number of pop-blues tunes, many of them co-written by Will Jennings and co-producer Joe Sample, with King co-writing two of the songs aboard. Even with a large, contemporary backdrop (including a seven-piece horn section and female backup singers), there's still plenty of room for B.B.'s stinging guitar and stentorian vocals in the mix. Highlights include the gospel-tinged "Better Not Look Down," "Same Old Story (Same Old Song)," "Happy Birthday Blues," "The Beginning of the End" and the title track. As one of B.B.'s more pop-oriented offerings, this succeeds admirably.

Biografia

Nascimento: Setembro/09/1925 em Indianola, MS

Género: Blues

Anos em actividade: '40s, '50s, '60s, '70s, '80s, '90s, '00s, '10s

Universally hailed as the king of the blues, the legendary B.B. King was without a doubt the single most important electric guitarist of the last half of the 20th century. His bent notes and staccato picking style influenced legions of contemporary bluesmen, while his gritty and confident voice — capable of wringing every nuance from any lyric — provided a worthy match for his passionate playing. Between 1951 and 1985, King notched an impressive 74 entries on Billboard's R&B charts,...
Biografia completa