iTunes

A abrir a iTunes Store.Se o iTunes não abrir, clique no ícone da aplicação iTunes na Dock ou no ambiente de trabalho do Windows.Indicador de progresso
A abrir a iBooks Store.Se o iBooks não abrir, clique na app iBooks na Dock.Indicador de progresso
iTunes

O iTunes é a forma mais fácil no mundo de organizar e aumentar a sua colecção de suportes digitais.

Não conseguimos localizar o iTunes no computador. Para ouvir um excerto e comprar música de Big Time de Rob Ickes, descarregue o iTunes agora.

Já tem o iTunes? Clique em Tenho o iTunes, para abri-lo agora.

Tenho o iTunes Descarga gratuita
iTunes para Mac + PC

Big Time

Abra o iTunes para ouvir um excerto, comprar e descarregar música.

Crítica do álbum

When Rob Ickes' Hard Times first appeared in 1997, it was one of the most anticipated debuts in modern bluegrass history. That it lived up to its promise as a soulful work with dazzling players offering a startling new take on the music was a universally accepted assessment. Big Time is Ickes' fourth outing. He has followed the path of the artists of old in that he has continued to develop his craft and deepen its nuances. Along with the stellar Blue Highway band, Ickes has taken contemporary bluegrass into wondrous new directions, without ever leaving the true heart of the music to the wayside. In fact, of all the superchoppers out there, Ickes never discounts the soul quotient in his playing or recording. A listen to the ballad "Matt Hyland," with its loping Dobro and fiddle lines that nearly weep in counterpoint, is an example. Also, the solid fever stomp of "Born in a Barn" never leaves behind its hoedown flavor despite smoking solos by Shawn Lane, Ickes, and flatpicking bad ass Tim Stafford. Ickes' open country jam "The Fatal Shore" prefaces a deeply moving read of "Wayfaring Stranger," complete with Dobro harmonics that offer a haunting template for the melody of the tune. Indeed, the piece is tagged later on with a stellar version of Merle Travis' "I Am a Pilgrim." The double flatpicking duel at the beginning of the nugget "Fiddler's Dream" is a riotous journey into joy courtesy of Lane's smoking mandolin and Stafford's counterpicking revolution. By the time Ickes takes his solo, the listener is already overwhelmed, but he takes it into overdrive anyway. The most beautiful cut on the set is a deeply bluesed-out reading of Bill Monroe's "Lonesome Moonlight Waltz," with its backhanded slide runs and dirgelike tempo. This is the finest moment Ickes has committed to tape thus far.

Big Time, Rob Ickes
Ver no iTunes

Classificações do cliente

Não recebemos classificações suficientes para apresentar uma média para este(a) álbum.

Contemporâneos