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Straight On Till Morning

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Crítica do álbum

The commercial success of Four was a mixed blessing for Blues Traveler. It did give them a wider audience, but it also put them in the delicate position of pleasing their new, hook-happy fans while retaining their hardcore, jam-oriented cult following. They skillfully manage to do just that on Straight on Till Morning, the bluesy, ambitious follow-up to Four. On the whole, Straight on Till Morning is a tougher album than any of its predecessors, boasting a gritty sound and several full-on jams. But the key to the album is its length and its sprawling collection of songs, which find Blues Traveler trying anything from country-rock to jangling pop/rock. They manage to be simultaneously succinct and eclectic, and they occasionally throw in a good pop hook or two. Blues Traveler are still too loose to be a true pop/rock band, and John Popper would still benefit from a sense of meter, but Straight on Till Morning is the first studio record that captures the essence of the band.

Biografia

Formado: 1988 em Princeton, NJ

Género: Rock

Anos em actividade: '80s, '90s, '00s, '10s

A New York-based blues-rock quartet formed in 1988 by singer/harmonica player John Popper, guitarist Chan Kinchla, bassist Bobby Sheehan, and drummer Brendan Hill, Blues Traveler were part of a revival of the extended jamming style of '60s and '70s groups like the Grateful Dead and Led Zeppelin. Signed to A&M, they released their first album, Blues Traveler, in May 1990 and followed it with Travelers & Thieves in September 1991. Popper was in a serious car accident in 1992, leaving him unable...
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Straight On Till Morning, Blues Traveler
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