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Godspeed the Shazam

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Crítica do álbum

Taking cues primarily from early Cheap Trick and Electric Light Orchestra, The Shazam mold hard rock that, initially, sounds out of place on the Not Lame label, which focuses entirely on power pop. However, on repeat listens it becomes obvious why this group is so often lumped in with fine pop acts; their hooks are remarkably strong and melodic. While they're clearly out of step with the times (The music here is entirely steeped in the late '70s, and while it may have sold millions then, it is unlikely to go past "cult" status now), Godspeed the Shazam is an excellent hard rock pleasure. Many of these songs sound like lost classics, especially the excellent "Super Tuesday" (an anthemic rocker on the lament of the loser of a presidential election) and "Gonna Miss Yer Train." The Shazam also occasionally dip into glam, especially on "Sunshine Tonight" and "The Stranded Stars" and, not surprisingly, they make that work too. It all amounts to yet another gem on the Not Lame label.

Biografia

Género: Pop

Anos em actividade: '90s, '00s

Led by guitarist, vocalist, and songwriter Hans Rotenberry, the Shazam are a contemporary power pop band from Nashville, Tennessee, who've earned a loyal following among pop obsessives for their sharp, rollicking, and often witty British-influenced sound. The Shazam were formed in 1997 when Rotenberry teamed up with bassist Mick Wilson and drummer Scott Ballew. The band released its self-titled debut album in 1997, which was produced by Brad Jones and found Rotenberry composing tunes with the likes...
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Godspeed the Shazam, The Shazam
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