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Hold On, We're Strummin'

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Crítica do álbum

One of the first things one notices when popping this Acoustic Disc album into the CD changer is the clean, natural production. A mandolin on the right track, another on the left, and a guitar in the center, all lovingly mixed for clarity and a solid acoustic sound. This same careful approach is obvious from the opening notes of the first piece, "Hartford's Real," on Hold On, We're Strummin'. Bush and Grisman's mandolins tease out a minute-and-a-half intro, each note coming forth bright and clean, before guitarist Jack Lawrence and bassist Jim Kerwin join in. This love of a resonant, full-bodied acoustic sound extends to the quality and diversity of the instruments both players choose. On "Swamp Thing," Bush utilizes a National mandolin and Grisman a mandocello; on "Old Time Medley," Bush plays fiddle and Grisman banjo. Of course, the fresh sound and eclecticism would matter little without inspiration, so luckily both pickers seem in their element on Hold On, We're Strummin'. There are fun, free-flowing pieces like "Sea Breeze" and lovely, relaxed ones like "Jamgrass 741," both filled with smooth instrumental interchanges and quiet energy. Several pieces are bolstered by slightly larger arrangements, adding a guitarist and/or bassist for a bigger sound and variety. With inspired performances, a number of original compositions, and an exquisite acoustic sound, Grisman and Bush have created a fine album suitable for new acoustic fans and anyone with discerning taste. ~ Ronnie D. Lankford Jr., Rovi

Biografia

Nascimento: Março/03/1945 em Hackensack, NJ

Género: Cantor/Compositor

Anos em actividade: '70s, '80s, '90s, '00s

David Grisman is normally associated with the bluegrass wing of country music, but his music owes almost as much to jazz as it does to traditional American folk influences. Because he couldn't think of what to call his unique, highly intricate, harmonically advanced hybrid of acoustic bluegrass, folk, and jazz without leaning toward one idiom or another, he offhandedly decided to call it "dawg music" — a name which, curiously enough, has stuck. A brilliant mandolinist, with roots deep in the...
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Hold On, We're Strummin', David Grisman
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