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Revolutionary Piano

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Crítica do álbum

Or perhaps a better title might have been The Counter-revolutionary Piano of Nicky Hopkins. For, although Nicky had already established himself as one of the greatest rock and R&B pianists in Britain via numerous sessions, this 1966 instrumental LP was dominated by easy listening arrangements of standards. Despite the production credit of Shel Talmy (Who, the Kinks), what sets the tone are the period lite soundtrack orchestration (by David Whitaker) and wordless backup vocals (by the Mike Sammes Singers). It's candlelight music with a desperately trendy edge, far removed indeed from the Who's My Generation album (which both Hopkins and Talmy had worked on extensively around this time). Nicky Hopkins doing "Goldfinger," "Love Letters," and "Don't Get Around Much Anymore"? Yep, with MOR arrangements of "Satisfaction" and "Yesterday" thrown in for good measure. It's nothing more than a curio, though with the massive easy listening revival of the mid-'90s, its day may have finally come; indeed, it was reissued on CD by Columbia in the U.K.


Nascimento: Fevereiro/02/1944 em London, England

Género: Rock

Anos em actividade: '60s, '70s, '80s, '90s

Check the credits on any number of rock albums from the late '60s through the '80s, especially Rolling Stones albums, and you'll come across the name Nicky Hopkins. For almost two decades, he was the most in-demand session pianist in rock; the Beatles, Kinks, Who, Jeff Beck Group, Steve Miller Band, Jefferson Airplane — there was hardly a major rock band in the world that hadn't benefited from Hopkins' deft touch at the keyboards. Born in London in 1944, Hopkins honed his chops with Screaming...
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Revolutionary Piano, Nicky Hopkins
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  • 7,99 €
  • Géneros: Rock, Música, Rock & Roll
  • Lançamento: 1966

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