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Don't Wake Me Up

Microphones

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Crítica do álbum

As part of K's slight expansion from the release of purely indie pop records, there are the Microphones, whose Don't Wake Me Up moves between gritty lo-fi rock and droning, spacy constructions; a delicate pop melodicism lies beneath the surface noise of both, putting the general aesthetic of the album somewhere close to Stereolab's Transient Random-Noise Bursts, or some of Grandaddy's early work. The latter of the two approaches seems to fare better, with the songs' dramatic builds and careful composition rendering a sound that is a lot more artistically impressive than pure rock — but the fuller compositions are just as impressive, using their rampaging drums and the odd dichotomy between lo-fi guitar noise and frail, His Name Is Alive-style vocal presentation to approach something like an exaggerated shoegaze effect. Above all, Don't Wake Me Up offers a fascinating and involving set of sounds — even in the rare moments when these sounds aren't organized as well as could be, they're still compelling.

Biografia

Género: Alternativa

Anos em actividade: '90s, '00s

The Microphones was the alias of Anacortes, WA-based lo-fi psych-pop mastermind Phil Elvrum, also known for his work as a member of K Records bands D+ and Old Time Relijun. Following a series of cassettes on the local Knw-Yr-Own label, including Wires and Cords, Tests, and a self-titled effort, the Microphones issued their first full-length effort, also titled Tests, on the Elsinor label in the autumn 1999. Don't Wake Me Up appeared on K the next summer, followed in 2000 by Window and It Was Hot...
Biografia completa
Don't Wake Me Up, Microphones
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