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Double or Nothing

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Crítica do álbum

The bedrock is ska, the melodies are jazz and the color is Las Vegas Strip. I, for some reasons, have had two music heads grossly simplify ska in the last two days by telling me "it is all in the guitar." How wrong they are! We are very accustomed to guitar lead music. Ska, like its subtropical cousin reggae, is usually effected with the aid of a guitar but the lead is taken over by another instrument. In the case of reggae this is bass, in ska it is the horn(s). Unsteady gives us long, eloquent, fluid and fluent lines from, usually, trumpet, Fluglehorn or sax. Helping out is a cavalcade of brass as varied and interesting as the characters you meet on a Saturday stroll down the neon strip.


Género: Alternativa

Anos em actividade: '90s

Almost exclusively dedicating their creative efforts to the discovery and invention of original ways within ska's dominions, Unsteady present stimulating formulas for the style, blending with its ravenous selections of jazz, funk, and pure rock & roll. Forming in the early '90s in San Diego, CA, Unsteady first assembled due to the common initiative of John Roy (saxophone, vocals), Creedy Bates (guitar), Kevin Hewitt (keyboards), Paul Howland (bass), and Kent Graves (drums). By then, all the elements...
Biografia completa
Double or Nothing, Unsteady
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