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Dream Spiral

Hilary Stagg

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Crítica do álbum

By 1991's Dream Spiral, electric harpist Hilary Stagg had refined the composition skills that had somewhat lagged behind the inspired playing of his initial releases. Joined by tasteful dips of synthesizer, understated percussion and bass, acoustic guitar, and violin, Stagg presents eight of his strongest pieces yet. "Spirit Dances" matches his harp to the violin's mournful sway, as a moody background synthesizer suggests rings on the surface of a secluded pond. Stagg is best with spare arrangements, where his harp can guide the melody over lightly textured supporting instrumentation. "Heaven on Earth" and "Land of Oz" illustrate this perfectly; the latter cut is especially effective, somehow finding a way to evoke an earthy, Latin feel while suggesting the space cloud grandeur of the universe. The title track and "Sunlight Returns" do end the set with some ham-fisted turns toward generic contemporary instrumental percussion and pacing, but Dream Spiral is still a solid leap forward for Stagg, both in composition and instrumentation.

Biografia

Género: New Age

Anos em actividade: '80s, '90s, '00s

Stagg was working as an electrician when he heard Swiss harp sensation Andreas Vollenweider in concert. At that moment, the Northern California native was inspired to learn all he could about the electro-acoustic harp. A few years later, he was releasing his own albums, using his knowledge as an electrician to amplify his instrument to suit the soft, dreamy music he was developing. Stagg also credits the sweet melodic stylings of Loggins & Messina, the Doobie...
Biografia completa
Dream Spiral, Hilary Stagg
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