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Filmworks III: 1990-1995

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Crítica do álbum

The third volume cataloguing John Zorn's film scores is a quality release that offers the scores from two films, a rare piece of music cues that would lead to Cynical Hysterie Hour, and music spots for commercials. First comes the 1993 score for Thieves Quartet, which is warm, solid, smoky jazz written with Miles Davis' Escalator to the Scaffold soundtrack in mind. This score also marks the first recording of the quartet that would later be known as Masada. Combining musicians of the highest caliber and compatibility, this strong first outing gives full indication of the rapport between bassist Greg Cohen, trumpeter Dave Douglas, drummer Joey Baron and Zorn. Guitarist Robert Quine also guests on the closer, "End Titles." The track of music sketches for Japanese cartoonist Kiriko Kubo, "Music for Tsunta (nine cues)," separates the two film scores. Following this track is the score from 1994, for L.A. filmmaker Mei-Juin Chen's Hollywood Hotel. This recording joins a long, impressive list of Zorn's sax collaborations with electric guitarists that includes Eugene Chadbourne, Henry Kaiser, Derek Bailey, and Keiji Haino. Here is his saxophone duo with exemplary guitarist Marc Ribot; Ribot most often provides fabric and rhythm for Zorn's solos, in addition to his crucial role in a few atmospheric and a few splurtey pieces. The remaining 31 tracks on the album are shorts composed for a commercial advertising firm with which Zorn had an excellent and open working relationship. The musicianship and stylistic range found here is commendable. The reed and brass-less instrumentation varies between tracks, as guitarists Arto Lindsay, Quine, and Ribot provide a strong front, seamlessly relaxed in southwestern and surf.

Biografia

Nascimento: Setembro/09/1953 em New York, NY

Género: Jazz

Anos em actividade: '70s, '80s, '90s, '00s, '10s

The one word virtually everyone can agree on in any discussion of the work of composer John Zorn is "prolific," in the strictest sense of the definition. Though he didn't begin making records until 1980, the recordings under his own name number well over 100, and the sheer number of works he has performed on, composed, or produced easily doubles that number. Though now an internationally renowned musician and the founder and owner of the wildly successful and equally prolific Tzadik imprint, Zorn...
Biografia completa