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Crítica do álbum

If one were to believe the clichés and stereotypes common in some jazz history books, this matchup should not have worked. By 1955, Lionel Hampton was a veteran swing vibraphonist while Stan Getz was the leader of the "cool school" of young tenors. But what these two masters had in common (in addition to a healthy respect for each other's talents) was the ability to swing as hard as possible. Joined by a fine trio, the duo really rips into "Cherokee" and "Jumpin' at the Woodside" (listen to their blistering tradeoffs) and, even with a fine ballad medley, it is these torrid jams that make this a highly recommended disc.

Biografia

Nascimento: Abril/04/1909 em Louisville, KY

Género: Jazz

Anos em actividade: '20s, '30s, '40s, '50s, '60s, '70s, '80s, '90s

Lionel Hampton was the first jazz vibraphonist and was one of the jazz giants beginning in the mid-'30s. He has achieved the difficult feat of being musically open-minded (even recording "Giant Steps") without changing his basic swing style. Hamp started out as a drummer, playing with the Chicago Defender Newsboys' Band as a youth. His original idol was Jimmy Bertrand, a '20s drummer who occasionally played xylophone. Hampton played on the West Coast with such groups as Curtis Mosby's Blue Blowers,...
Biografia completa
Hamp & Getz, Lionel Hampton
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