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Night of the Mark VII

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Crítica do álbum

The late tenor saxophonist Clifford Jordan always had a distinctive tone and a flexible, swinging style. He never became overly famous as a leader (he is best remembered for his association with Charles Mingus), but his own record dates were consistently rewarding, including Night of the Mark 7. Assisted and inspired by pianist Cedar Walton, bassist Sam Jones, and drummer Billy Higgins, Jordan performs Thelonious Monk's "Blue Monk," Jones' blues "One for Amos," Walton's appealing "Midnight Waltz," the tenor's own title cut, and Bill Lee's "John Coltrane." The latter piece brings back some of Coltrane's intensity and hints at part of his Love Supreme suite. There are plenty of fine solos throughout the live date (recorded in Paris) by Jordan and Walton. Overall, Night of the Mark 7 features high-quality hard bop from four of the greats of the idiom, so it is easily recommended to those not already owning the music.


Nascimento: Setembro/09/1931 em Chicago, IL

Género: Jazz

Anos em actividade: '50s, '60s, '70s, '80s, '90s

Clifford Jordan was a fine inside/outside player who somehow held his own with Eric Dolphy in the 1964 Charles Mingus Sextet. Jordan had his own sound on tenor almost from the start. He gigged around Chicago with Max Roach, Sonny Stitt, and some R&B groups before moving to New York in 1957. Jordan immediately made a strong impression, leading three albums for Blue Note (including a meeting with fellow tenor John Gilmore) and touring with Horace Silver (1957-1958), J.J. Johnson (1959-1960), Kenny...
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Night of the Mark VII, Clifford Jordan
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