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Slim Gaillard Rides Again

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Crítica do álbum

Slim Gaillard's career had stalled a bit by the time of this 1958 studio session for Dot, as his blend of comic jive vocals and jazz had likely worn a little thin. Unlike his earlier recording with bassist Slam Stewart (and later Bam Brown), Gaillard seems to pretty much abandon the mysterious hip language he referred to as "McVouty," though the emphasis is on his humorous vocals in most of the tracks with an unidentified bassist and drummer. One of the best songs is an instrumental, a blues called "Slim's Cee" featuring the leader on piano. Unfortunately, his routines aren't particularly amusing and haven't survived the test of time very well on either the several standards (including "Oh, Lady Be Good!" and "How High the Moon") or originals, which make up the rest of the disc; while he is adequate on piano and guitar, there's nothing included on this CD that would make this an essential purchase for anyone except the most ardent Slim Gaillard fan. It's not surprising to learn that Gaillard's opportunities to record were almost nonexistent for over a dozen years after this record was released. Like other titles in Verve's limited-edition reissue series, this title will be available only until September 2005.

Biografia

Nascimento: Janeiro/01/1916 em Detroit, MI

Género: Jazz

Anos em actividade: '30s, '40s, '50s, '70s, '80s

One of the most eccentric vocalists ever to hit the jazz scene, Slim Gaillard became a legendary cult figure thanks to his own privately invented jive dialect "vout," a variation on hipster slang composed of imaginary nonsense words ("oreenie" and "oroonie" being two other examples). Gaillard's comic performances, laid-back cool, and supremely silly songs made him a popular entertainer from the late '30s to the early '50s, especially on the West Coast, and several of his compositions became genuine...
Biografia completa
Slim Gaillard Rides Again, Slim Gaillard
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