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Crítica do álbum

Morr Music's generous 2002 Slowdive tribute, Blue Skied an' Clear, did more than just officially induct shoegaze into the realm of synth pop influence; it also hinted at an entirely new direction for the label, one cemented largely by this debut from the anonymous Guitar. In the context of Morr's back catalog, it's certainly a departure — where the label's prior releases had only ever sideways-referenced shoegaze's conceits, Sunkissed practically marinades in them, often to the point where it feels less like an experiment in useful cross-pollination and more like another naked homage. This is mostly problematic because the compositions themselves aren't particularly compelling — never a fatal flaw in music like this, but certainly one more easily overlooked in the presence of any engaging dialogue between the Morr and shoegaze aesthetics. Unfortunately, with elements consisting exclusively of standard issue atmospherics, skittery beats, percussive guitar, and female vocals (contributed in equal parts by the spot-on Donna Regina and the interminably twee Japanese singer Ayako Akashiba), Sunkissed doesn't offer much indeterminate blessed-out prettiness that can't be had elsewhere with less effort expended.


Nascimento: 2002 em Germany

Género: Eletrónica

Anos em actividade: '00s

Guitar is the pseudonym adopted by musician Michael Lückner, who fuses organic and electronic sounds into music that embraces his wide range of influences, from cool-era Miles Davis to the shoegazing chaos of My Bloody Valentine. Lückner was born and raised in Germany, and picked up his first guitar when he was 14, after seeing a performance by John Martyn. Lückner already had a tape machine, and began lo-fi experiments in recording his music. In his early twenties, Lückner started playing guitar...
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Sunkissed, Guitar
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