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Chamber Music Of The New Jazz

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Crítica do álbum

This album is unusual in two ways. Because pianist Ahmad Jamal would soon become famous for his piano/bass/drums trios, it is often forgotten that, up until 1956, his group consisted of bassist Israel Crosby and guitarist Ray Crawford. Crawford's percussive hitting of his guitar would soon be utilized by Herb Ellis in Oscar Peterson's Trio. And, although it is know that Miles Davis listened closely to Jamal and often "borrowed" his repertoire, few probably realize that Gil Evans based some of his famous arrangements on Jamal's interpretations. A comparison of "New Rumba" and "Medley" (which is really "I Don't Want To Be Kissed") on this album with Evans' version for Miles Ahead in 1957 sounds nearly identical despite the very different personnel. It is a pity that Jamal would soon change his group's instrumentation since his communication with Crawford and Crosby (heard here on such tunes as "A Foggy Day," "All of You," "I Get a Kick out of You" and "Spring Is Here") was often magical, but he would soon gain great popularity with the upcoming guitarless trio (which was just as telepathic).

Biografia

Nascimento: Julho/07/1930 em Pittsburgh, PA

Género: Jazz

Anos em actividade: '50s, '60s, '70s, '80s, '90s, '00s, '10s

One of the most individualistic pianists, composers, and arrangers of his generation, Ahmad Jamal's disciplined technique and minimalist style had a huge impact on trumpeter Miles Davis, and Jamal is often cited as contributing to the development of cool jazz throughout the 1950s. Though Jamal was a highly technically proficient player, well-versed in the gymnastic idioms of swing and bebop, he chose to play in a more pared down and nuanced style. Which is to say that while he played with the skill...
Biografia completa
Chamber Music Of The New Jazz, Ahmad Jamal
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  • 8,91 €
  • Géneros: Jazz, Música, Hard Bop, Rock
  • Lançamento: 01/01/1955

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