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King of the Dead

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Crítica do álbum

King of the Dead, Cirith Ungol's second album, is actually something of a step backwards from Frost and Fire; the production sounds a little muddier, the song structures less focused, and the hooks less apparent. "Hooks," of course, refers mainly to the guitar riffs, because vocalist Tim Baker still hardly ever steps out of his shrill sing-speak delivery, which listeners generally find either deliciously evil or overdone and irritatingly silly. Cirith Ungol is actually a pretty ambitious band, but they're also somewhat amateurish and cartoonishly over-the-top. Those aren't necessarily reasons to dismiss their music, since bands like Venom and Celtic Frost — who were generally critically reviled during their existence — actually planted the seeds of the death metal revolution; however, Cirith Ungol doesn't have Venom's extremity or Celtic Frost's restless experimentation going for them, and they don't have the songwriting chops to make up for those deficiencies. It's apparent on King of the Dead that Cirith Ungol had a great deal of potential, but they don't bring it together here.


Formado: 1981 em United States

Género: Rock

Anos em actividade: '80s, '90s

Los Angeles-based metal band Cirith Ungol formed in 1981, taking their name from a tower which played a key role in author J.R.R. Tolkien's Lord of the Rings series. The lineup originally comprised singer Tim Baker, guitarist Jerry Fogle, bassist Michael Flint, and drummer Robert Garvin, and made its debut with the Enigma release Frost and Fire, followed three years later by King of the Dead. In the wake of 1986's One Foot in Hell, both Fogle and Flint left Cirith Ungol, and the band spent the next...
Biografia completa
King of the Dead, Cirith Ungol
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