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Living On the Edge

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Crítica do álbum

The great tenor Dewey Redman has always been a versatile player and he really gets a chance to show off his individuality on this set, whether it is some freebop a la early Ornette Coleman, "Mirror Windows" (which is an explosion of sound and pure energy), the soulful "Blues for J.A.M. - Part 1," a free and speechlike tenor-piano duet with Geri Allen on "As One" and a boppish "Lazy Bird." On "If I Should Lose You," Redman has a rare chance to play some conventional but cliché-free alto. With bassist Cameron Brown and drummer Eddie Moore forming a solid team, this is an easily recommended set of inside/outside music.

Biografia

Nascimento: Maio/05/1931 em Fort Worth, TX

Género: Jazz

Anos em actividade: '60s, '70s, '80s, '90s, '00s

One of the great avant-garde tenors, Dewey Redman has never received anywhere near the acclaim that his son Joshua Redman gained in the 1990s, but ironically Dewey is much more of an innovative player. He began on clarinet when he was 13 and played in his high school marching band, a group that also included Ornette Coleman, Charles Moffett, and Prince Lasha. Redman was a public school teacher during 1956-1959 but, after getting his master's degree in education from North Texas State, he moved to...
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Living On the Edge, Dewey Redman
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