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Acting Salam

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Crítica do álbum

Bill Laswell co-produced this album with Pat Jabbar and plays bass on a few of the tracks. Whether due to Laswell's influence or not, this has a smoother, more dancefloor-polished feel. As Europe and North America already have electronic dance music by the cartload, it would seem as though Ahlam would stand a better chance of attracting interest by maintaining their Middle Eastern-North African influences, not diluting them. It may be the direction the musicians want to pursue, but world music fans will likely much prefer Ahlam's debut album to this competent, but less imaginative, compound of casbah sounds with 1990s beats. It should be said that the lyrics (some of which are translated in the sleeve) are still pretty radical statements in the context of Moroccan society, advocating peace and struggle for justice, and declaring, "We're fed up with war and destructive ideologies." Most open-minded listeners will agree — but do they want to dance to it?

Biografia

Género: Mundo

Anos em actividade: '90s

The second of the Moroccan electro-trad bands to have their music distributed by the Barbarity label in Switzerland (Aisha Kandisha's Jarring Effects were the first). By the standards of world music, Ahlam is unusual, employing traditional instruments such as djembe and mandolin, and rai-type vocals, against some electric guitar, bass, and electronic sampling. By the standards of Moroccan music, they're downright radical, not only in their mix'n'match of indigenous music with modern Western rock,...
Biografia completa
Acting Salam, Ahlam
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