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Rumba Para Monk

Jerry Gonzalez

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Crítica do álbum

Jerry Gonzalez has referred to himself as being "bilingual" in that he is equally skilled on trumpet and congas, in bebop and in Latin music. Gonzalez succeeds in his goal of combining the two idioms without watering down either style on this essential Sunnyside CD. The first Afro-Cuban Thelonious Monk tribute has plenty of spots for the percussion of Steve Berrios and Gonzalez, but also contains many strong solos from the leader's often-muted Miles-influenced trumpet, Carter Jefferson's tenor, and Larry Willis' very un-Monk-like piano. With the exception of "Ugly Beauty," the Latin percussion is an integral part of each performance, giving this set of Monk tunes a very different perspective that is also quite flexible. A highly enjoyable set with the highlights including "Bye-Ya," "Nutty," "Little Rootie Tootie," and "Jackie-ing."

Biografia

Nascimento: Junho/06/1949 em New York City, New York, USA

Género: Jazz

Anos em actividade: '80s, '90s, '00s

Jerry Gonzalez has taken a global view of jazz in creating his unique brand of improvised music. While his trumpet and flügelhorn reflect the influence of Miles Davis and Dizzy Gillespie, his personal cultural roots have given him a natural understanding of Afro-Cuban rhythms. As he explained to The Detroit News, "I am bilingual — I speak Spanish and English. I can play the blues and I can play the rumba." Launching his musical career in 1970 as a member of Dizzy Gillespie's band, Gonzalez...
Biografia completa
Rumba Para Monk, Jerry Gonzalez
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