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Crítica do álbum

The immediately noticeable thing about Loscil's Plume is how engaging it is right from the first waves of quiet static that so aptly complement the smoke stack artwork. Instantly "Motoc" sets the tone for the remainder of the album, whose gentle percussion and pulses of static supply the rhythm bed, which other artists using organic instruments (xylophone, vibes, guitar, Rhodes piano) quietly improvise over. The band are disciplined in their freedom, playing melodic passages with sparseness and attention to timing. This creates a tranquil and melancholic mood music that not only runs throughout Plume, but helps to carry over some continuity from the serenity and density of Loscil's previous releases. The wispy nature of "Steam" is not unlike the sounds found on labelmate Christopher Bissonette's debut recording Periphery, while "Chinook" is the perfect soundtrack for a rainy spring afternoon. An impressive release from an artist who never fails to deliver the goods.


Nascimento: Canada

Género: Eletrónica

Anos em actividade: '00s, '10s

Scott Morgan apparently appropriated his Loscil alter ego from the operation code within the sound synthesis system Csound. Although he admitted he rarely used Csound to create his compelling minimalist recordings, he asserted that looping and oscillating were the basics of his music-making process. Drawing stated influence from contemporary post-techno musicians such as Oval and Wolfgang Voigt’s Gas, as well as early electronic music pioneers such as Brian Eno and Raymond Scott, he...
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Plume, Loscil
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