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More Best of Leonard Cohen

Leonard Cohen

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Crítica do álbum

This second compilation covers Leonard Cohen's career from 1984 to 1995 (skipping over both Death of a Ladies' Man, which is understandable, and Recent Songs, which is more questionable). Cohen did not have any hits during this period, though a few songs, notably "Everybody Knows" and "Tower of Song," became well enough known to be essential choices. Otherwise, Cohen's craftsmanship makes a choice from among his work difficult. This set chooses four of the eight songs from the celebrated I'm Your Man album (and more might have been included) and four from its less successful follow-up, The Future. One track, "Dance Me to the End of Love," comes from Various Positions, with another of that album's songs, "Hallelujah," included in a live version. There is also a live version of the Cohen standard "Suzanne," and there are two previously unreleased songs, the typically funny and erotic "Never Any Good" and the minute-long disembodied recitation "The Great Event." It's easy to note important omissions — "Came So Far for Beauty," "If It Be Your Will," and "First We Take Manhattan" are perhaps the most missed — but what's here chronicles both the continuance of Cohen's talent as a songwriter and the improvement in his deepened voice and record-making abilities in this portion of his career.

Biografia

Nascimento: Setembro/09/1934 em Montreal, Quebec, Canada

Género: Rock

Anos em actividade: '50s, '60s, '70s, '80s, '90s, '00s, '10s

One of the most fascinating and enigmatic — if not the most successful — singer/songwriters of the late '60s, Leonard Cohen has retained an audience across five decades of music-making interrupted by various digressions into personal and creative exploration, all of which have only added to the mystique surrounding him. Second only to Bob Dylan (and perhaps Paul Simon), he commands the attention of critics and younger musicians more firmly than any other musical figure from the '60s who...
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