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Octet Plays Trane

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Crítica do álbum

Tenor saxophonist David Murray and his octet rise to the challenge of performing five classic John Coltrane compositions not by playing note-for-note recreations but by allowing Trane's searching spirit to dominate the proceedings. Murray shines on all tracks, switching between tenor and bass clarinet. The octet featuring pianist D.D. Jackson, trombonist Craig Harris, trumpeters Ravi Best and Rasul Siddik, alto saxophonist and flutist James Spaulding, bassist Jaribu Shahid, and drummer Mark Johnson sound like twice the number of musicians throughout this disc. This is especially true on the raucous big band versions of "Giant Steps" and "Lazy Bird." However, they can achieve a complete turnaround when playing the ballad "Naima" or "India," which becomes an ethereal, haunting mix (complete with tabla) sounding more like electric period Miles Davis unplugged than Coltrane's arrangement. Murray's "The Crossing" is a bit of a puzzling inclusion, since it is the only non-Trane composition performed, somewhat defeating the intention of the disc. The proceedings wind down with an engaging 15-minute version of "A Love Supreme: Part 1: Acknowledgment" proving Murray has studied not only the music of John Coltrane, but like him insists on applying his individuality through his horn.

Biografia

Nascimento: Fevereiro/02/1955 em Berkeley, CA

Género: Jazz

Anos em actividade: '70s, '80s, '90s, '00s, '10s

Initially an inheritor of an abstract/expressionist improvising style originated in the '60s by such saxophonists as Albert Ayler and Archie Shepp, David Murray eventually evolved into something of a mainstream tenorist, playing standards with conventional rhythm sections. However, Murray's readings of the old chestnuts are vastly different from interpretations by bebop saxophonists of his generation. Murray's sound is deep, dark, and furry with a wide vibrato — reminiscent of such swing-era...
Biografia completa
Octet Plays Trane, David Murray
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