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Crítica do álbum

Teo Macero worked as a saxophonist with Charles Mingus off and on from the late 1940s through the mid-'50s, and also produced some of his later records. This obscure Palo Alto LP, recorded shortly after Mingus' death, was Macero's first recording as a player (tenor, alto and flute) since 1957, although on most of the selections, his role as a musician is small. However, Macero was responsible for the eight selections which include tributes to Mingus, Thelonious Monk ("Monk's Funk") and Duke Ellington. The music is sometimes reminiscent of Mingus, particularly in his early, more classical-oriented days, and the notable personnel includes saxophonists Dave Liebman, Pepper Adams, John Stubblefield, Al Cohn, and Lee Konitz, trumpeters Jon Faddis and Ted Curson, flutist Dave Valentin, guitarist Ryo Kawasaki, and keyboardists Biff Hannon and Mike Nock, among many others. This will be a difficult album to find.


Nascimento: Agosto/08/1929 em Plainfield, NJ

Género: Jazz

Anos em actividade: '50s, '60s, '70s, '80s

With the passage of time, Bill Evans has become an entire school unto himself for pianists and a singular mood unto himself for listeners. There is no more influential jazz-oriented pianist — only McCoy Tyner exerts nearly as much pull among younger players and journeymen — and Evans has left his mark on such noted players as Herbie Hancock, Keith Jarrett, Chick Corea, Brad Mehldau. Borrowing heavily from the impressionism of Debussy and Ravel, Evans brought a new, introverted, relaxed,...
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Impressions of Charles Mingus, Bill Evans
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