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Crítica do álbum

Many fans of southern California alt-rockers Ozma were disappointed by the band's last album, considering Spending Time on the Borderline a weak-willed attempt to break into the new wave revival. Coming nearly four years and one breakup and re-formation later, Pasadena reverts to the straightforward indie pop of Ozma's earlier material; it even features a re-recording of one of the previous album's better songs, "Eponine," in apparent atonement. These 11 songs are as crisp and bouncy as the best material on Rock and Roll Part Three, with a newfound lyrical maturity and a more wide-screen sound that better incorporates the synthesizer parts that started to overwhelm the rest of the band on Spending Time on the Borderline. (See "Incarnation Blues.") The album's true highlight is the simply outstanding "Heartache Vs. Heartbreak," a dramatic, Electric Light Orchestra-influenced duet between lead singer Daniel Brummel and guest star Rachel Haden that sounds like a great lost New Pornographers single; if she'll have them, Ozma should consider asking Haden to join the band permanently. Surprisingly considering the indifference towards their last album, Ozma have returned to active duty with perhaps the strongest work of their careers.

Biografia

Formado: 1995

Género: Dança

Anos em actividade: '90s, '00s

Streaming their very own vision of puissant alternative pop/rock, Ozma started its operations in 1995. Daniel Brummel (vocals, bass), Jose Galvez (guitar), Ryen Slegr (guitar), and Patrick Edwards (drums) secured the lineup of this Pasadena crew, that during several years played almost anywhere in the California state area. In 1999, after the addition of keyboard expert Star Wick in 1998, the band managed to collect ten songs for their first demo, titled Songs of Inaudible Trucks and Cars. In 2000,...
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Pasadena, Ozma
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