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Tom Jobim Canta Vinicius (Ao Vivo)

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Crítica do álbum

Vinicius de Moraes was the lyricist for many of Antonio Carlos Jobim's most durable melodies, and his death in 1980 understandably dealt the great Brazilian composer a devastating blow. That he greatly missed de Moraes is quite obvious in this lovingly performed, posthumously released concert, recorded (upon the tenth anniversary of de Moraes' death) at Rio's Centro Cultural do Brasil with just a chamber-sized selection of players from Jobim's band of family and friends. A few well-known pieces are included — there is a very touching rendition of "Insensatez" that makes this often-played tune seem freshly minted — but most of the selections are among the less familiar fruits of the collaboration, along with a few songs that de Moraes wrote with Carlos Lyra and Toquinho. Some of de Moraes' own music is performed here as well, and selections like the stunning "Serenata do Adeus" prove that he, too, had a haunting way with a melody. Cushioned by the deep, soulful cello of Jaques Morelenbaum and by Danilo Caymmi's flute, with guitarist Paulo Jobim often the sole rhythmic component, Jobim's own rough, vulnerable voice and piano are offset by the clear, cool vocals of Paula Morelenbaum. Between numbers, Jobim offers his own running memoir in Portuguese, yet he could also flash his sense of humor — following de Moraes' "Canta ao Tom" with a parody co-written with Chico Buarque called "Canta do Tom" or playing a mischievous piano lick at the end of "The Girl From Ipanema." Although released through Universal Latino, the CD is receiving widespread distribution in the U.S. ~ Richard S. Ginell, Rovi

Biografia

Nascimento: Janeiro/01/1927 em Rio De Janeiro, Brazil

Género: Brasileira

Anos em actividade: '50s, '60s, '70s, '80s, '90s

It has been said that Antonio Carlos Brasileiro de Almeida Jobim was the George Gershwin of Brazil, and there is a solid ring of truth in that, for both contributed large bodies of songs to the jazz repertoire, both expanded their reach into the concert hall, and both tend to symbolize their countries in the eyes of the rest of the world. With their gracefully urbane, sensuously aching melodies and harmonies, Jobim's songs gave jazz musicians in the 1960s a quiet, strikingly original alternative...
Biografia completa
Tom Jobim Canta Vinicius (Ao Vivo), Antônio Carlos Jobim
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