A abrir a iTunes Store.Se o iTunes não abrir, clique no ícone da aplicação iTunes na Dock ou no ambiente de trabalho do Windows.Indicador de progresso
A abrir a iBooks Store.Se o iBooks não abrir, clique na app iBooks na Dock.Indicador de progresso

O iTunes é a forma mais fácil no mundo de organizar e aumentar a sua colecção de suportes digitais.

Não conseguimos localizar o iTunes no computador. Para ouvir um excerto e comprar música de Private Suit de Bettie Serveert, descarregue o iTunes agora.

Já tem o iTunes? Clique em Tenho o iTunes, para abri-lo agora.

Tenho o iTunes Descarga gratuita
iTunes para Mac + PC

Private Suit

Abra o iTunes para ouvir um excerto, comprar e descarregar música.

Crítica do álbum

Bettie Serveert's classic 1992 debut Palomine was ultimately a bit too perfect — the band effectively left themselves no margin for error, and subsequent efforts had nowhere to go but down, each record doomed to suffer by comparison. Private Suit, Bettie Serveert's fourth studio outing, is a considerable return to form in the sense that so many years later, both artist and listener alike finally understand that what's past is past — when Carol van Dijk wails "So don't worry about me/'cause you can't please everyone" on the disc's bewitching title track, it's clear that the group is finally back to making music solely on their own terms; and ironically enough, Private Suit comes closer to recapturing the brilliance of Palomine than any other Bettie Serveert record, by implicitly acknowledging that a return to former glories is an unreachable ideal. Credit much of the album's dusky allure to the atmospheric production of John Parish, which lends a shadowy beauty, revealing new layers of subtlety lurking underneath the band's ragged guitar-pop approach; the focal point is still van Dijk's searing vocals, which harness the extremes of both pride and desperation to devastating effect. Welcome back.


Formado: 1990 em Amsterdam, The Netherlands

Género: Alternativa

Anos em actividade: '90s, '00s, '10s

Although they didn't cross over into the mainstream the way some of their peers did, Holland's Bettie Serveert became significant college radio stars during the '90s with their jangly, sweetly melodic, at times surprisingly muscular guitar pop. The band's sound was familiar, even archetypal, yet with its own distinct flavor that suggested any number of reference points and made exact comparisons elusive. Much of Bettie Serveert's reputation rested on their 1992 debut, Palomine, and even though critical...
Biografia completa
Private Suit, Bettie Serveert
Ver no iTunes

Classificações do cliente

Não recebemos classificações suficientes para apresentar uma média para este(a) álbum.


Influenciados por este intérprete