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The Ten Commandments

Malevolent Creation

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Crítica do álbum

In the late 1980s and early to mid-1990s, the small Roadrunner label was home to numerous underground death metal, grindcore and thrash bands, many of which could not have cared less about appealing to rock's mainstream. One of the company's noteworthy grindcore/death releases of 1991 was Malevolent Creation's The Ten Commandments, a dark and morbid effort addressing such topics as dismemberment, torture, the occult and human sacrifice. This isn't a brilliant album, nor is it very distinctive. But it is exhilarating, and one of the things that makes it effective is Bret Hoffmann's tortured, choked lead vocals. While other grindcore singers are difficult or impossible to understand — and make a point of being that way — it's usually easy to understand the lyrics Hoffmann is belting out. So when the Florida band tears into such gruesome offerings as "Multiple Stab Wounds," "Remnants of Withered Decay," and "Thou Shall Kill!," one knows just how gruesome they are.

Biografia

Género: Rock

Anos em actividade: '90s, '00s, '10s

Arising from the death metal hotbed of Florida in the early '90s (but originally from Buffalo, NY), Malevolent Creation tend to be somewhat overlooked in discussions of groups who helped define the sound and style of American death metal. Initially inspired by the sonic and lyrical extremity of Slayer, the group landed a deal with Roadrunner Records at the dawn of the '90s, featuring a lineup of vocalist Brett Hoffmann, guitarists Phil Fasciana and Jeff Juskiewicz, bassist Jason Blachowicz, and drummer...
Biografia completa
The Ten Commandments, Malevolent Creation
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