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Soundtracks II

Marc Ribot

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Crítica do álbum

The already eclectic Marc Ribot may have released his widest-reaching album to date with Soundtracks, Vol. 2. From neo-Dixieland to spooky electronica to solo shakuhachi, Ribot turns in a head-spinning program of disparate genres that hang together surprisingly well as an album. There's also a faux-African highlife piece ("Flatbush Eyes"), kind of surfy klezmer ("House of Mirrors"), and a couple soul tunes ("Blue Party" and the aptly titled "Green Party," which sounds like Ribot's take on the Hi Records sound). "Nausea" sounds something like a circus carnival playing "Take Me Out to the Ball Game," while "Pensando" is a pretty solo acoustic guitar piece. Ribot's guitar credentials have never been in doubt, but his recent works for Tzadik is showing him to be an impressive composer with a broad palette as well.


Nascimento: Maio/05/1954 em Newark, NJ

Género: Jazz

Anos em actividade: '70s, '80s, '90s, '00s, '10s

Eclectic guitarist Marc Ribot has recorded a wide variety of music over his career, including working with Elvis Costello and on Tom Waits' Rain Dogs. He has also recorded compositions for classical guitar by Haiti's Franz Casseus, a friend of his parents, and has participated actively in New York City's downtown avant-garde music scene for some time, notably as a member of the Lounge Lizards. Ribot's solo albums include Rootless Cosmopolitans and Requiem for What's His Name; later Ribot worked with...
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Soundtracks II, Marc Ribot
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