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Sinister Nostalgia: A Switchblade Symphony Remix Collection

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Crítica do álbum

Although the prospect of a Switchblade Symphony remix album promised a welcomed update to what the band had touched upon in the semi-electronic Bread and Jam for Frances, the idea was a great deal better than the results. Particularly disappointing was the fact that Razed in Black, Endanger, Rosetta Stone, and Nitzer Ebb's Julian Beeston seemed to treat the challenge as a chore. The most complicated reinterpretations were ones with pointless reverb-drenched hi-hats or portentous 4/4 house beats and none of them renewed any interest in the under-appreciated neo-goths, which was assumed necessary in exercises like these. In the end, the thrill of hearing the Sandman-reading Shirley Bassey growl of Tina Root in a new context evaporated quickly. Only Meegs Rascon's Tricky-designed "Cocoon" remix played to the band's strengths rather than countermined them.


Formado: 1989

Género: Rock

Anos em actividade: '90s, '00s

San Francisco's Switchblade Symphony formed in 1989, when vocalist Tina Root and composer Susan Wallace were introduced by mutual friends in the local goth music scene. Frustrated with the musical projects they were currently involved in, the duo began collaborating and performing, and soon won a devoted audience. As Switchblade Symphony, Root's musical theater training and Wallace's film-scoring experience showed in their theatrical vocals and orchestrated, dreamlike sound. Early, self-released...
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Sinister Nostalgia: A Switchblade Symphony Remix Collection, Switchblade Symphony
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