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Sleepless Nights

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Crítica do álbum

One of several basically useless bootleg-quality live recordings issued by Christian Death in their sputtering final days, Sleepless Nights Live 1990 is a lot worse than the early-years The Doll's Theatre and a lot better than the utterly abysmal Invocations: 1981-1989. This set features guitarist Rikk Agnew, the band's primary bright spot, alongside singer Rozz Williams and latter-day guitarist Eva O., and a setlist that covers all of the band's records up to that point, including excellent performances of the fan favorites "Figurative Theatre" (which really benefits from the twin-guitar attack) and "Sleepwalk." The problem is that the sound is atrocious. Tinny and far away, the songs basically sound like they were recorded on a Dictaphone from the next room over. Even diehard fans will have trouble overcoming that flaw enough to enjoy the actually not bad performances.


Formado: 1979 em Los Angeles, CA

Género: Rock

Anos em actividade: '80s, '90s, '00s, '10s

The founding fathers of American goth rock, Christian Death took a relentlessly confrontational stand against organized religion and conventional morality, with an appetite for provocation that made Marilyn Manson look like Stryper. Regardless of who was leading or performing in the group, Christian Death set themselves up to shock, both in their cover art and their lyrics, which wallowed in blasphemy, morbidity, drug use, and sexual perversity. Their self-consciously controversial tactics set them...
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Sleepless Nights, Christian Death
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