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Montrose

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Crítica do álbum

The '70s gave us a slew of classic hard rock albums — the likes of which may never be equaled — and though it hasn't had the lasting influence of, say, Boston's or Ted Nugent's first albums, Montrose's eponymous debut proved equally influential and important in its day. Released in 1973, the record also introduced a young Sammy Hagar to the world, but the explosive aggression of Ronnie Montrose's biting guitar left no doubt as to why it was his name gracing the cover. A rock-solid rhythm section featuring drummer Denny Carmassi and bassist Bill Church certainly didn't hurt, either, and unstoppable anthems such as "Rock the Nation" and "Good Rockin' Tonight" would lay the ground rules for an entire generation of late-'70s California bands, most notably Van Halen. Admittedly, tracks like "Make It Last" and "I Don't Want It" sound rather dated by today's sonic standards (no thanks to their ultra-silly lyrics), but no amount of time can dim the sheer euphoria of "Bad Motor Scooter," the adolescent nastiness of "Rock Candy," and the simply gargantuan main riff of the phenomenal "Space Station #5." A welcome addition to any respectable '70s hard rock collection.

Biografia

Formado: 1973 em San Francisco, CA

Género: Rock

Anos em actividade: '70s, '80s

One of the first American-bred hard rock groups to challenge British supremacy in the early '70s, Montrose are remembered as, if not the most successful, then certainly one of the most influential bands of the era. In fact, many of the personalities responsible for the group's legendary, self-titled debut (producer Ted Templeman, engineer Donn Landee, vocalist Sammy Hagar) would later become instrumental players in the formative and latter-day career of the mighty Van Halen. And to his credit, though...
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Montrose, Montrose
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