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Teen Beat / Let There Be Drums - Single

Sandy Nelson

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Crítica do álbum

Let There Be Drums is more than just an album title. It's a proclamation from above, a call to arms that galvanized an entire generation of aspiring drummers. The infectious title cut proved Sandy Nelson's second and final Top Ten hit, and its bombastic drum sound remains a rock & roll archetype, distilling the immense power and allure of bashing the skins in well under three minutes. Like no one before him, Nelson captures the fundamental frenzy that is the essence of rock drumming, and his performance remains the template for successive generations of players to follow. The remainder of Let There Be Drums ain't too shabby, either. Additional Nelson/Richie Polodor originals like "Bouncy" and "Birth of the Beat" showcase the energy and invention of Nelson's drumming to no less impressive effect, rendering the record's cover songs (including the Champs' "Tequila" and Fats Domino's "My Girl Josephine") obsolete in the process.

Biografia

Nascimento: Dezembro/12/1938 em Santa Monica, CA

Género: Rock

Anos em actividade: '50s, '60s

Sandy Nelson was the biggest — and one of the few — star drummers of the late '50s and early '60s era in which instrumental rock was at its peak. He landed two Top Ten hits, "Teen Beat" (1959) and "Let There Be Drums" (1961), which surrounded his Gene Krupa-inspired solos with cool, mean guitar licks that were forerunners of the surf sound. Nelson had only one other Top 40 hit, "Drums Are My Beat" (1962). He ground out a quick series of instrumental albums in the early '60s — eight...
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Teen Beat / Let There Be Drums - Single, Sandy Nelson
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