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Crítica do álbum

After a delay of nearly five years since the release (in 1996) of his final Atlantic CD, Live at Chene Park, Jean-Luc Ponty's debut for his JLP label proves to be a finely hewed masterpiece from the violinist's studio workshop. He plays many of the instruments himself (keyboards, electronic drums and percussion, and synclavier) through overdubbing on most of the tracks, although it's readily apparent that these new compositions will work in performance with the talented supporting cast of his touring band. Ponty goes it alone on the richly textured "Two Thousand-One Years Ago," and the mournful "Lonely Among All." But "Pizzy Cat" (a playful shorthand reference to pizzicato), featuring Ponty unaccompanied, without overdubs, strumming and plucking his five-string Midi electric violin with synclavier, proves to be the most compelling of the solo performances. The band members join him in various combinations on the remaining tracks, with the full group heard only on "Firmament," which is seasoned with a catchy blend of Oriental and African flavorings. This is easily one of Jean-Luc Ponty's most compelling releases.


Nascimento: Setembro/09/1942 em Avranches, France

Género: Jazz

Anos em actividade: '50s, '60s, '70s, '80s, '90s, '00s, '10s

It has been a long, fascinating odyssey for Jean-Luc Ponty, who started out as a straight jazz violinist only to become a pioneer of the electric violin in jazz-rock in the '70s and an inspired manipulator of sequencers and synthesizers in the '80s. At first merely amplifying his violin in order to be heard, he switched over to electric violin and augmented it with devices that were associated with electric guitarists and keyboardists, like Echoplex machines, distortion boxes, phase shifters, and...
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