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Crítica do álbum

In their background score for director/star/co-screenwriter Ben Affleck's crime thriller The Town, composers Harry Gregson-Williams and David Buckley combine a large string section with a lot of percussion programming to create music that alternates between fast, pounding cues and slow, eerie ones. They match the film's action sequences, starting with "Bank Attack," with low-frequency electronic throbs taken at racing tempos, only to pull back on the appropriately titled "Doug Reflects" to a deliberately paced electric guitar strum or, on "Healing and Stealing," a solo piano passage (played by Gregson-Williams). But even in these contemplative moments, the strings trace ominous high notes in the back, as if there isn't going to be much time to think before violence erupts again. This is music to keep an audience on the edge of its seat, as expressed on a soundtrack album listeners will be able to use to test their woofers.

Biografia

Nascimento: Dezembro/12/1961 em England

Género: Banda sonora

Anos em actividade: '90s, '00s

Harry Gregson-Williams is an award-winning film composer from Great Britain who began making his mark on the Hollywood film industry around the turn of the century. Born on December 13, 1961, in England, he began his career as a music teacher, working at the Guildhall School of Music & Drama, among other schools. While he began working as a film composer in the early '90s, his big break came when he was taken under the wings of Oscar-winning film composer Hans Zimmer during the mid-'90s. He worked...
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The Town, Harry Gregson-Williams
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