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Head Seed

moe.

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Crítica do álbum

In a way, HeadSeed is the purest of moe.'s studio albums. Like Phish's Junta, the disc captures the band in first flowering. The basic concept of the band is stripped bare and sounds fresh: a lively mix of post-punk, ska, and hippie influences, without any particular grand aspirations other than to capture what they sound like. Just because the disc is a low budget effort doesn't mean it is without solid production values. Al Schnier and Chuck Garvey's guitars are mixed crisply, the vocals are in just the right balance, and the band resists the urge to mic the drums in any fancy manner. Most bands should be so lucky as to self-produce a disc that sounds this great. Above all, there is an amiable innocence to the music — the classical-sounding acoustic guitar and ragamuffin harmonies on "Mexico," the swirling funk psychedelia of "Brent Black" and "Timmy Tucker," and the college pop of "St. Augustine" are all nothing less than charming as hell.

Biografia

Formado: 1991

Género: Rock

Anos em actividade: '90s, '00s, '10s

Rising from the dingy college bars of upstate New York, moe. carved a niche for themselves with a distinct blend of Americana, melodic turns, clever songwriting, and jam band ethics. The bandmates were born and raised in the industrial town of Utica, but it took matriculation at the University of Buffalo for moe. to finally coalesce. Founded in 1990 by bassist/vocalist Rob Derhak, guitarist/vocalist Chuck Garvey, and original drummer Ray Schwartz, the band toured the university's party circuit under...
Biografia completa