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Trapt

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Crítica do álbum

Trapt, yet another nu-metal entry from southern California, proffers an eponymous major-label debut that is as enthusiastic as it is plagiaristic. There is an organic feel to the disc that separates it from their more angst-ridden peers, specifically those who rely on electronic gadgetry over a simple guitar-bass-drums setup, though the congenial feel fits in alongside Incubus, especially with a propensity toward pensive moments that evoke a softer image than most, one that would fit into emo if the band wasn't so obviously aesthetically a rock band; "These Walls" actually sounds like Nickelback at its most adult rock-radio-friendly, for example. Trapt isn't original, per se, as much as it does a good job melding its pronounced influences more seamlessly than most; the band would get a better recommendation if the record had songs that stood out a bit more. ~ Brian O'Neill, Rovi

Biografia

Formado: 1995 em Los Gatos, CA

Género: Rock

Anos em actividade: '90s, '00s, '10s

School chums Chris Brown and Peter Charell absorbed the heavy rock sound of Korn, Soundgarden, and Metallica during the mid-'90s. Both were music geeks and naturally flirted with the idea of getting a group together. Casual gigs in school motivated them even more, leaving Brown and Charell to design what would become Trapt. In 1997, fellow guitarist Simon Ormandy joined the band. The trio recorded its own demo and landed gigs in and around the suburbs of...
Biografia completa
Trapt, Trapt
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