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This Is Ernie Andrews

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Crítica do álbum

Ernie Andrews' first record for the Dot label is a fine piece of jazz-blues in the vein of Joe Williams or Jimmy Rushing, and it's a puzzle why he wasn't accorded respect to match his obvious talent. He possessed a higher register than Al Hibbler or Johnny Hartman but still featured their rich tone, and was closest to Billy Eckstine but, on this album, sang much more expressively than Eckstine. Recording with a band led by Ernie Freeman or an organ trio headed by Tyrone Parsons, Andrews swings the blues in a manner that leans as much toward soul as vocal jazz. The opener "Why" could have appeared on a James Brown LP of the era without too much of a stretch; the standards "I've Grown Accustomed to Her Face" and "On a Clear Day You Can See Forever" are taken at a suitably relaxed pace, and Andrews stretches out on the Bird tribute "Parker's Mood."


Nascimento: Dezembro/12/1927 em Philadelphia, PA

Género: Jazz

Anos em actividade: '50s, '60s, '80s, '90s, '00s

Ernie Andrews has managed to be both popular and underrated throughout his lengthy career. After his family moved to Los Angeles, he sang in a church choir, and while still attending high school had a few hits for the G&G label. Billy Eckstine and Al Hibbler were early influences and, after reaching maturity, Andrews was somewhat in the shadow of Joe Williams (who has a similar style). Andrews recorded for Aladdin, Columbia, and London in the late '40s, spent six years singing with the Harry...
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This Is Ernie Andrews, Ernie Andrews
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