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Big Wheel

Icehouse

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Reseña de álbum

This was Iva Davies return from courtroom hell with former label Chrysalis. Someone should annoy Davies more often, because the result is the most energizing, electric music of his career. From their opener, Icehouse — essentially the trio of Davies, Paul Wheeler, and David Chapman — treat us to a frenzy of guitars, loops, filmic links, and drumming likened to John Bonham. Though lyrically weak, the title song bounces along in jolly mode. Bowie affiliations come again in the form of "Satelite" and "Stolen Guitar." "Judas" and "Cadillac" are more stodgy but still rock; the latter is similar to the more recent Suede material. The album initially came with a computer disc — the first interactive disc in Australian rock history — while others came as standard with the Spin One EP attached, which leads nicely to its parent album.

Biografía

Se formó en: 1980 en Sydney, Australia

Género: Rock

Años de actividad: '80s, '90s, '00s, '10s

Though it has had varying personnel, Icehouse was essentially a vehicle for the work of Australian Iva Davies. Davies formed the first version of the band under the name Flowers in 1980 and began scoring hits in Australia with the group's first single, "Can't Help Myself." (Icehouse was the name of Flowers' first album, but the group changed its name as it went international, to avoid conflicts with another band.) They first reached the U.S. charts in 1981 with "We...
Biografía completa
Big Wheel, Icehouse
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