iTunes

Iniciando iTunes Store.Si iTunes no se inicia, haz clic en el icono de la aplicación iTunes en el Dock de Mac o en el escritorio de Windows.Progress Indicator
Abriendo el iBooks Store.Si iBooks no se abre, haz clic en la app iBooks del Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

No encontramos iTunes en este ordenador. Para usar vista previa y comprar música de Buildings and Grounds de Papas Fritas, descarga iTunes ya.

¿Ya tienes iTunes? Haz clic en Ya tengo iTunes, para que sea activado.

I Have iTunes Descarga gratis
iTunes para Mac y PC

Buildings and Grounds

Papas Fritas

Abre iTunes para escuchar un fragmento, comprar y descargar música.

Reseña de álbum

Papas Fritas' third album, Buildings and Grounds, opens as gently as a breeze, as "Girl" floats along on lazily picked acoustic guitars, cooed vocals, and an arrangement reminiscent of swinging London — not of the mid-'90s, but of the mid-'60s. It's as clear a signal as possible that things are different now in the Papas Fritas camp. Although this lighter touch wasn't completely absent on their previous record, they have toned down the straight-ahead, big indie-pop hooks which fueled their first album. It may be a little startling at first, particularly for true fans of the band's earlier sparer sound, but Buildings and Grounds is a stronger, more cohesive record than their debut. That's not to say it's perfect. With this new direction, Papas Fritas occasionally consciously recalls classic pop that's more sophisticated than their own music, and while the results are pleasant, they're not always favorable. Papas Fritas just isn't a band who crafts their songs with the precision of Bacharach or layers their productions like Stephen Street did with Blur. That's OK, though, since they work as joyous bursts of pop. They are a band of simple pleasures, which means they still sound the best when the music is peppier, as in the infectious "What Am I Supposed to Do?" and "Vertical Live." But, given some time, the quieter numbers are quite ingratiating in their own right. Occasionally, they're just a little too self-conscious and precious — a common affliction of indie-pop — but it's hard not to be charmed by Shivika Asthana's sighing vocals or Tony Goddess' plain, friendly singing. It's so unassuming that it's easy to hear that they mean it. And, while their talents as writers and record-makers are still developing, Buildings and Grounds makes it clear that Papas Fritas are not only talented, but that they have their own voice, as well. They're pop fans, but unlike many of their pop peers, they're neither overly classicist nor overly insular. That doesn't mean that this is pop music for the charts — it's entirely too nice and gentle for that — but neither is it self-defeatingly "indie," as many indie-pop albums are at the turn of the millennium. In other words, Papas Fritas does make personal pop music, but instead of shunning outsiders, they welcome them, providing that the listeners are willing to take the band at their own easy pace. In its own, quiet way, Buildings and Grounds proves that it's worth the time of many pop fans to indulge Papas Fritas, as they awkwardly but winningly find their own voice.

Biografía

Se formó en: 1992 en Boston, MA

Género: Alternativa

Años de actividad: '90s, '00s

Formed in 1992, pop combo Papas Fritas began as a power trio when two high-school friends from Delaware, guitarist Tony Goddess and drummer Shivika Asthana, met up with bassist Keith Gendel while attending Tufts University in Massachusetts. The three recorded and released four-track albums for fun and performed at parties on and around campus, but never took the group seriously until a tape fell onto the desk of small record label Sunday Driver Records and the label approached Papas Fritas with plans...
Biografía completa
Buildings and Grounds, Papas Fritas
Ver en iTunes

Valoraciones de clientes

No hemos recibido suficientes valoraciones para poder mostrar un promedio de este artículo.

Influencias

Contemporáneos