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The People Who Grinned Themselves to Death

The Housemartins

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Reseña de álbum

Comparisons to the Smiths are essentially irrelevant by the point of the Housemartins' underrated sophomore effort — the melodies and arrangements move away from the upbeat guitar pop shimmer of London 0, Hull 4 to further explore the group's fascination with Motown and gospel, while P.D. Heaton's lyrics articulate a leftist anger and scathing social commentary the likes of which Morrissey's insularly personal lyrics only hint at. (Equally noteworthy is the defiantly British outlook of Heaton's songs — it's virtually impossible from an American standpoint to fully comprehend the sheer vitriol against the Queen espoused on the title cut, and lyrical snippets like "How come you wear Rupert Check when you think you're so hard?" and "Welcome to the new Scalextric's breed" are likely impenetrable to all but the hardiest Anglophiles.) There's some filler here — "We're Not Going Back" and "You Better Be Doubtful" simply go through the motions, and the instrumental "Pirate Aggro" seems at best an afterthought — but the peaks of The People Who Grinned Themselves to Death are glorious. In hindsight, however, it's obvious that the Housemartins had already run their course — with its alternating lead vocals from Heaton and drummer Dave Hemingway, the achingly lovely piano ballad closer "Build" forecasts the twosome's continued collaboration in the Beautiful South, while the subtle yet soulful bass work of Norman Cook throughout the record anticipates the funk direction of his subsequent Beats International project.

Biografía

Se formó en: 1984 en Hull, England

Género: Pop

Años de actividad: '80s

One of Britain's more popular indie guitar pop groups of the late '80s, the Housemartins' post-Smiths guitar jangle and subtle updating of catchy, melodic British beat groups earned the Hull-based quartet a substantial critical and popular following within the U.K. Though the group never gained much more than a cult following in America, their balance of simple, memorable melodies and cutting sarcasm helped them rise into the British Top Ten, as well as earn consistently strong reviews. The Housemartins...
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The People Who Grinned Themselves to Death, The Housemartins
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